Dynamic Range of Alexa-BMCC-F55-F65


OK, these were shot in Brussels during a GB workshop, all cameras were set to their base ISO and exposed from T2.8 to T22

The idea was to see what dynamic range there was on the kind of shot that we may make in real life.

It's interesting to find the clip where the highlights don't clip at all and then see what happens to the rest of the picture.

The line through the Alexa frames is becasue I don't have an ARRI license for my Gemini, just a Canon & 3D one!!

All files were output in their widest range possible using Resolve.

As usual right click on the images for full res 16 bit DPX.

A very handsome model this time!








Recent CML Tests :-


Film-Alexa-Epic-F65 by Valvula Films

9 cameras RAW

Aces Rushes One Light

Alexa 4 stops over and back

RAW V Compressed F55 Alexa

Contrast handling in a real world test

Alexa - 435/5219

Alexa Epic F55 F65 single candle

Arri LUT's

Alexa BMCC C500 Epic F55

Camera Matching
Alexa BMCC C500 Epic F55 F65


Effect of noise & compression on Green Screen Alexa C500

Initial ACES tests


Sponsored by:-

Copyright 1996-2015 CML-Cinematography Mailing List