OK, these were shot in Brussels during a GB workshop, all cameras were set to their base ISO and exposed from T2.8 to T22
The idea was to see what dynamic range there was on the kind of shot that we may make in real life.
It's interesting to find the clip where the highlights don't clip at all and then see what happens to the rest of the picture.
The line through the Alexa frames is becasue I don't have an ARRI license for my Gemini, just a Canon & 3D one!!
All files were output in their widest range possible using Resolve.
As usual right click on the images for full res 16 bit DPX.
A very handsome model this time!
Recent CML Tests
Hannover Hands On 2013
Alexa BMCC C500 Epic F55
Alexa BMCC C500 Epic F55 F65
Candle lit Alexa C500 F65
Effect of noise & compression on Green Screen Alexa C500
Singapore High Contrast
Alexa C500 F65
Alexa/Epic +/- 7 stops
Infra Red tests