I have a possible operating gig coming up - 35mm - where the director
want to shoot some protracted & 'intimate' (poss' 24mm close ups)
dialogue scenes with a hand held camera and as long takes as possible.
The choice of camera would be either the Moviecam SL, an Arricam Lite
or an Aaton 35 (poss 3 perf).
In my book the Aaton wins in terms of lightness, balance and the 3 perf
movement increased running time of 400'. Its disadvantages for what's
required are that shooting 3 perf would preclude a DI (to match to 4 perf
material) and that it isn't as quiet as the competition. ADR might be
a contentious issue.
I'm looking for advice on how the Movicam and Arri could be stripped right
down to reduce weight (though removing the video assist isn't an option)
or how the Aaton can be barneyed to the max without significant weight
I know the answers to these questions should be self evident but if anyone
has a magic formula they'd like to share....
>Its disadvantages for what's
required are that shooting 3 perf would >preclude a DI (to match to 4 perf material)
You can do a "Disney Squeeze" and optical your S35 3 Perf material
to 4 Perf although the cost might be pretty close to a DI in the UK.
Otherwise the SL is probably your best bet. You could also use a "sky
hook" type rig to put the weight on your hips and take it off of
your shoulder. (?)
ICG, New York
> and that it isn't as quiet
as the competition.
The 3 Perf Aaton is much quieter than the 4 perf Aaton, that's one of
ICG, New York
Having played with the Aaton with the new 3-perf movement I can tell you
that it is extremely quiet, and the slight putter it does make is a low
frequency rumble that is much easier for sound to deal with than most
camera noise. I've heard many Moviecam SL cameras that were much louder.
They Aaton is also available with a leather barney which is very comfortable
to shoot with.
Mitch Gross wrote:
> Aaton with the new 3-perf movement[...]it
is extremely quiet
Just checked the specs and the Aaton 3perf & Movicam SL do seem comparable
in terms of dB/A. I guess what I really meant is that non of the preferred
hand held cameras are as quiet as a studio camera