These are links to ZIP folders of one EXR frame per exposure +\/- 4 stops<\/p>\n
The EXR’s were generated by the manufacturers own software, with the exception of the Varicam which was done in Resolve as they don’t have their own software.<\/p>\n
They are VERY large files. Most are in ACEScc space, if not it’s because the manufacturers didn’t specify anything other than ACES so the may be linear or log.<\/p>\n
ARRI Alexa SXT<\/a><\/p>\n Blackmagic Ursa Mini-Pro<\/a><\/p>\n Canon C200<\/a><\/p>\n Canon C300-2 & Odyssey<\/a><\/p>\n Canon C700 4.5K<\/a><\/p>\n RED Dragon<\/a><\/p>\n RED Helium 7K<\/a><\/p>\n RED Scarlet<\/a><\/p>\n Sony F5<\/a><\/p>\n Sony F55<\/a><\/p>\n Sony F65<\/a><\/p>\n Varicam LT & Odyssey<\/a><\/p>\n Varicam Pure<\/a><\/p>\n I’d recommend that you view these on your smartphone, it’s only 10.5GB in all and each file is at least 50MB but hey! your smartphone will easily cope with that!<\/p>\n If you do that you’ll see that there is absolutely no reason to get one of these cameras, your DSLR is way better and your iPhone better still.<\/p>\n Actually, I’m thinking of doing a similar test with some DSLR’s, I’d rather eat my own leg but I feel I have to do it just to prove a point.<\/p>\n On the other hand, maybe I’m wrong, maybe a $2K camera is really as good as a $60K one. If you believe that I’ve got this bridge you may want to buy…<\/p>\n Oh and just in case… load these files into Resolve with it set to ACEScc and 4K DCI, then set the input to ACEScc and the output to 709, don’t crop the image, move around it using the positioning controls in color.<\/p>\n This will let you look at the full beauty, or horror, of each file.<\/p>\n Yes, they all pretty much capture it all, well, a couple of horrors at the top end but you’ll find those for yourself. Now, look at the lower exposures and ask yourself how much noise and colour shift you can live with. You now have the USABLE dynamic range. Strangely enough it’s not always what it appears to be or what manufacturers say it is.<\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" Digital Cinema Cameras Full resolution EXR files These are links to ZIP folders of one EXR frame per exposure +\/- 4 stops The EXR’s were generated by the manufacturers own software, with the exception of the Varicam which was done in Resolve as they don’t have their own software. They are VERY large files. Most … Continue reading “More files to peruse on your smartphone!”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,6],"tags":[],"class_list":["post-134","post","type-post","status-publish","format-standard","hentry","category-cameras","category-rant"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8PwMD-2a","_links":{"self":[{"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/posts\/134","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/comments?post=134"}],"version-history":[{"count":1,"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/posts\/134\/revisions"}],"predecessor-version":[{"id":135,"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/posts\/134\/revisions\/135"}],"wp:attachment":[{"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/media?parent=134"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/categories?post=134"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/tags?post=134"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}