This is a preliminary comment on cameras at about $6K-$7.5K<\/p>\n
This is purely personal and is on no way meant to be objective, unlike the CML evaluations which have no personality involved and are purely objective.<\/p>\n
I’ve had the Ursa Mini-Pro the longest and have only shot the CML evaluations with the C200, I’m waiting for a Panasonic EVA. I rejected the FS7 during the evaluations because I hated the way it felt and its menus. I did say that this was not objective!<\/p>\n
The more I look at the images from the UMP & C200 the more impressed I am. I’m shooting both RAW and with a small amount of compression, in the case of the UMP 3:1 and the Canon is variable between 3:1 to 5:1 depending on the subject\/action.<\/p>\n
I really like them both and the EVA is going to have a fight on its hands to be better, or even as good!<\/p>\n
I wouldn’t hesitate to use either of these cameras for professional work. The images from both are great, the C200 has slightly better colour, the greens & yellows are purer and to me more accurate but it’s not a big thing and easily adjustable in Resolve.<\/p>\n
The style of working with them is very different, the UMP is fitted with the shoulder mount and the V\/F. It’s quite heavy in todays terms and light compared to what I’m used to \ud83d\ude42
\nTo get it to function comfortably on my shoulder I’ve had to move the top handle as far forward as I can and the shoulder mount as far back as it’ll go, but then I’m a pretty big bloke. It balances well with a V Lock battery on the back and a small lens on the front.
\nThe battery life is good but not nearly as good as the C200.
\nThis camera works really well used in the way that I’ve used cameras for the last 45 years or so. It’s a progression from the 16mm cameras to Betacam’s and the F900 and Varicam 2700 to Amira. It feels like a “real” camera and functions like one as well. Anyone used to using a camera like these will feel right at home.<\/p>\n
The C200 is much lighter and is really best used with the touch screen V\/F and held in one hand. It’s a very different way of working from “traditional” cameras but it can work really well. With IS in lenses and AF facial tracking you have a whole new world to explore. I’ll post more about this in a month when I have had a chance to shoot in more practical situations. Initial reaction is that battery life is outstanding and the camera feels very light.<\/p>\n
In terms of dynamic range they both start to get a bit noisy for me at 2 stops under and clearly hold highlights at 3.5 stops over with the C200 having a slight edge in the highlights and the UMP a slight edge in the shadows.
\nThey also both feel solid and professional with the UMP feeling like a solid brick shithouse, in the best possible taste! This is a camera that will take a hammering.<\/p>\n
They both work well in preset colour mode and load into Resolve with the standard IDT’s and no correction resulting in good images, as usual I’d suggest reducing the contrast setting to around .85.<\/p>\n
My only complaint about the UMP so far is that the extension handle is too short but as it uses a standard rosette I just replaced it with one of the extensions from my ET Mantis shoulder mount and its now perfect.<\/p>\n
I’m testing with various AF stills lenses and the C200 is noticeably quicker to focus, the UMP has a tendency to hunt with older lenses.<\/p>\n
I’m struggling to find anything bad to say about either of them.<\/p>\n
A complete comparison with images and illustrations of the UMP, C200 & EVA will follow.<\/p>\n","protected":false},"excerpt":{"rendered":"
This is a preliminary comment on cameras at about $6K-$7.5K This is purely personal and is on no way meant to be objective, unlike the CML evaluations which have no personality involved and are purely objective. I’ve had the Ursa Mini-Pro the longest and have only shot the CML evaluations with the C200, I’m waiting … Continue reading “Lower priced professional cameras are bloody good!”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2],"tags":[],"class_list":["post-164","post","type-post","status-publish","format-standard","hentry","category-cameras"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8PwMD-2E","_links":{"self":[{"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/posts\/164","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/comments?post=164"}],"version-history":[{"count":4,"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/posts\/164\/revisions"}],"predecessor-version":[{"id":168,"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/posts\/164\/revisions\/168"}],"wp:attachment":[{"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/media?parent=164"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/categories?post=164"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/tags?post=164"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}