Snobbery is an insidious thing, I grew up in a council housing estate in the north east of england. In the UK this forever branded me.<\/p>\n
Unfortunately the same class snobbery exists in the camera department, it’s not as bad as it was but it’s still there.<\/p>\n
When I moved from documentaries to commercials in the mid 80’s I had issues with the crews I worked with initially because I’d come in as the DP and my experience was “only” 16mm documentaries. I was given grief by the operator and the AC. Also the fact that I’d worked in TV was a killer!<\/p>\n
I’d moved into an area of cinematography that was only just waking up to the lighting techniques that had been used in stills for years. I benefited hugely from my years as a stills assistant and my understanding of fashion and product lighting. The people I was competing with who had only worked in the cine camera department and had worked their way up the traditional route were ignoring all kinds of great stuff.<\/p>\n
I’m finding a similar situation now, not to do with people but to do with equipment, “that’s not professional equipment ” well it is if you use it to make a living!<\/p>\n
I’ve posted here in the past about autofocus or digitally assisted focus and I’m amazed at how strongly it is resisted by people who will just not look at it objectively. Instant reactions about taking work away from AC’s and so on. It’s nonsense, nobody suggested getting rid of AC’s, it’s a question of making their jobs easier and giving them new tools to be used creatively.
\nFor people who work in documentaries there’s the chance to end the terror caused by the interviewee who seems to think he’s at a heavy metal concert judging by the amount he rocks back and forth.
\nFor the dram AC’s it’s a chance to be nearer where you should be when the director decides to shoot rehearsals or doesn’t believe in them.
\nOr, give you a chance when in the words of an AC asked about whether a well know actor hit his marks “hit his marks! you’re lucky if he’s in the same f\u00edng room! ”<\/p>\n
So, don’t dismiss a person because of where they come from or their accent and FFS! don’t dismiss kit or techniques just because they weren’t invented here.<\/p>\n
be open to change and grab it when it works, or look for a new job.<\/p>\n
<\/p>\n","protected":false},"excerpt":{"rendered":"
Snobbery is an insidious thing, I grew up in a council housing estate in the north east of england. In the UK this forever branded me. Unfortunately the same class snobbery exists in the camera department, it’s not as bad as it was but it’s still there. When I moved from documentaries to commercials in … Continue reading “Snobbery in the camera department”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6],"tags":[],"class_list":["post-208","post","type-post","status-publish","format-standard","hentry","category-rant"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8PwMD-3m","_links":{"self":[{"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/posts\/208","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/comments?post=208"}],"version-history":[{"count":1,"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/posts\/208\/revisions"}],"predecessor-version":[{"id":209,"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/posts\/208\/revisions\/209"}],"wp:attachment":[{"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/media?parent=208"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/categories?post=208"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/tags?post=208"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}