{"id":258,"date":"2018-11-22T09:20:22","date_gmt":"2018-11-22T08:20:22","guid":{"rendered":"https:\/\/cinematography.net\/CineRant\/?p=258"},"modified":"2018-11-22T09:20:22","modified_gmt":"2018-11-22T08:20:22","slug":"slowly-losing-my-mind","status":"publish","type":"post","link":"https:\/\/cinematography.net\/CineRant\/2018\/11\/22\/slowly-losing-my-mind\/","title":{"rendered":"Slowly losing my mind"},"content":{"rendered":"<p>I&#8217;m trying to speed up cinematography.net.<\/p>\n<p>It&#8217;s a continuous process, the rules keep changing.<\/p>\n<p>I&#8217;d love to change all the images to a more modern format than GIF, PNG or JPG, something like WEBP. This would speed initial load by about a second. I cant because Safari doesn&#8217;t read WEBP.<br \/>\nChrome does, Edge does, Opera does&#8230;<\/p>\n<p>The real killer is my PC rating, err I mean accessibility rating.<\/p>\n<p>We are listed as bad for accessibility because a lot of our images don&#8217;t have tabs that can be read by text converters for blind people.<\/p>\n<p>It&#8217;s a fucking cinematography website, we don&#8217;t have a hell of a lot of blind users!!<\/p>\n<p>&nbsp;<\/p>\n<p>This has been a public service rant.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I&#8217;m trying to speed up cinematography.net. It&#8217;s a continuous process, the rules keep changing. I&#8217;d love to change all the images to a more modern format than GIF, PNG or JPG, something like WEBP. This would speed initial load by about a second. I cant because Safari doesn&#8217;t read WEBP. Chrome does, Edge does, Opera &hellip; <a href=\"https:\/\/cinematography.net\/CineRant\/2018\/11\/22\/slowly-losing-my-mind\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Slowly losing my mind&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6],"tags":[],"class_list":["post-258","post","type-post","status-publish","format-standard","hentry","category-rant"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8PwMD-4a","_links":{"self":[{"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/posts\/258","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/comments?post=258"}],"version-history":[{"count":1,"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/posts\/258\/revisions"}],"predecessor-version":[{"id":259,"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/posts\/258\/revisions\/259"}],"wp:attachment":[{"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/media?parent=258"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/categories?post=258"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/tags?post=258"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}