{"id":273,"date":"2019-05-15T11:21:33","date_gmt":"2019-05-15T09:21:33","guid":{"rendered":"https:\/\/cinematography.net\/CineRant\/?p=273"},"modified":"2021-05-04T01:43:10","modified_gmt":"2021-05-03T23:43:10","slug":"full-frame-lens-tests","status":"publish","type":"post","link":"https:\/\/cinematography.net\/CineRant\/2019\/05\/15\/full-frame-lens-tests\/","title":{"rendered":"Full Frame Lens tests"},"content":{"rendered":"<p>I&#8217;ve just about finished the full frame lens tests that I intended to do in January.<br \/>\nI was delayed by another tumour that necessitated having half of my right lung removed, that unfortunately didn&#8217;t go well as soon after they removed the drains the lung collapsed. Fixing that involved a really painful insertion of a drain and another week in hospital. They managed to nick my vocal chords in the process and half of them are now paralysed.<br \/>\nAnyway, they lens tests are finished and are at <a href=\"https:\/\/cinematography.net\/CML-FF-Lens-Tests-2019.html\">https:\/\/cinematography.net\/CML-FF-Lens-Tests-2019.html\u00a0<\/a><\/p>\n<p>The navigation at the top of all the pages will also take you directly to individual lenses.<\/p>\n<p>The colour differences are interesting \ud83d\ude42<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I&#8217;ve just about finished the full frame lens tests that I intended to do in January. I was delayed by another tumour that necessitated having half of my right lung removed, that unfortunately didn&#8217;t go well as soon after they removed the drains the lung collapsed. Fixing that involved a really painful insertion of a &hellip; <a href=\"https:\/\/cinematography.net\/CineRant\/2019\/05\/15\/full-frame-lens-tests\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Full Frame Lens tests&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4,5],"tags":[],"class_list":["post-273","post","type-post","status-publish","format-standard","hentry","category-general","category-lenses"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8PwMD-4p","_links":{"self":[{"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/posts\/273","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/comments?post=273"}],"version-history":[{"count":6,"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/posts\/273\/revisions"}],"predecessor-version":[{"id":335,"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/posts\/273\/revisions\/335"}],"wp:attachment":[{"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/media?parent=273"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/categories?post=273"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/tags?post=273"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}