This is my last post to this blog, I have handed over the running of CML to a group of people:-<\/p>\n\n\n\n
The public face, i.e. those talking to sponsors and cinematographers societies etc, will be Franz Pagot AIC, Roberto Schaefer AIC ASC, Mark Weingartner ASC.<\/p>\n\n\n\n
The technical running of CML will be the responsibility of Adam Wilt.<\/p>\n\n\n\n
Our bookkeeper, his description I\u2019m going for CFO \ud83d\ude0a, is George Hupka.<\/p>\n\n\n\n
Mick van Rossum NSC and Adam Wilt will be in charge of all camera and lens testing.<\/p>\n\n\n\n
Jessica Gallant will continue to be our west coast listmum and Indy film person.<\/p>\n\n\n\n
Manny Suys will continue as a European listmum.<\/p>\n\n\n\n
David Mullen ASC and Tim Sassoon will continue as\u00a0valued\u00a0advisors.<\/p>\n\n\n\n
CML is now based in Los Angeles.<\/p>\n","protected":false},"excerpt":{"rendered":"
This is my last post to this blog, I have handed over the running of CML to a group of people:- The public face, i.e. those talking to sponsors and cinematographers societies etc, will be Franz Pagot AIC, Roberto Schaefer AIC ASC, Mark Weingartner ASC. The technical running of CML will be the responsibility of Adam … Continue reading “CML under new management”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":["post-339","post","type-post","status-publish","format-standard","hentry","category-general"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8PwMD-5t","_links":{"self":[{"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/posts\/339","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/comments?post=339"}],"version-history":[{"count":1,"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/posts\/339\/revisions"}],"predecessor-version":[{"id":340,"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/posts\/339\/revisions\/340"}],"wp:attachment":[{"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/media?parent=339"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/categories?post=339"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cinematography.net\/CineRant\/wp-json\/wp\/v2\/tags?post=339"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}