Category Archives: Lenses

Cinegear update

It’s 9 days and 5 presentations at 2 conferences later ? that’s not including the panel at CG.

A shattering 2 weeks in total for me.

What is there that sticks in my memory from CG?

Not a lot really.

Lots of lenses, I’ll be interested to see how many are around in a couple of years. Major question about whether lenses can be universal i.e. S35 and FF. Personally I doubt it. Oh you’ll get decent results doing this but I’m not interested in decent results, I aspire to something better.

Just as lenses become more affordable I suspect that for serious cinematographers the use of rental companies for lenses will grow not lessen. This is good news for rental companies as I also suspect that they’re taking a hammering on the camera rental front. Too many decent cameras at affordable prices. Is an extra stop or so worth $70K+? yes I know that there are other issues involved but it seems to me that the distinguishing factor is tending more and more to the glass.

In the dim and distant past I used to swap back and forth between Ultra Primes and S4’s and of course my personal S3’s. Now there are a lot more really good distinctive lenses available. I make the point of distinctive because a bland neutral me too lens is not what I want.

This is why I mentioned rental companies and lenses, I can totally change the look of any camera with the lenses I choose, the choice of camera is becoming less important as they all get so good.

The other main memory from CG is the amount of gimbal kit available, some good and some horrendous. It’s all moving forward at a tremendous rate but I keep seeing abortions of rigs that will have you in the arms of a chiro in a very short time.

Lighting, so many LED’s and still very variable colour. I can’t wait for the Academy to get a move on with SSI, a rating system designed for us, not clothing manufacturers (CRI) or TV stations (TLCI)  but for filmmakers.

Cameras are now all getting so good that the ergonomics and operability in general is becoming a huge factor. There are still to many people more obsessed with how a camera will fit in a drone or a gimbal rather than how it handles in the majority of conditions. It’s great to see cameras that are a decent size that work without the need to hang all kinds of shit off them.

Part of the July camera evaluations will be start-up time and how many add-ons you need to make it useable. I’ll also include weight in a basic shooting configuration including recording media and batteries for X hours of shooting. The X is still to be decided, probably 12…

It’s good to see new filters appearing, thanks Schneider and Tiffen.

Back to lighting, lots of DMX control which is great but maybe not enough rugged basic docco lights with accurate colour and not excessive weight.

The event is just not long enough, there are some great panels but if you want to see the kit you have to skip them and if you want to chat to people, and CG is the best place I know for this, you have to skip the panels and the kit!

It needs to be at least another day, I know that this is a pain for the equipment exhibitors but… Maybe a day of only panels on the Sunday??

Autofocus to IMAX!

I wrote a while back about shooting an entire movie with autofocus..

Autofocus for an entire movie

On Saturday I saw the results projected and not just projected but on an IMAX screen!
This film was never intended to be seen this size, we knew we were shooting for TV screens.
I was sitting in the front row, not by choice but I had to be there so that I could quickly take part in the Q&A afterwards.

So, did it work?
Well yes, no more soft shots than any other movie I’ve seen on the large screen recently. In other words not a lot at all.

The entire movie was shot either with autofocus and face recognition or controlled via a tablet with simple finger presses.
We learned how to quickly switch between modes while we were shooting and also what we could do during a shot.
The one thing we thought was missing that would have helped a lot was a couple of preset positions that we could load as escape positions. Preset so that if the face recognition lost track during a fast move towards camera we had emergency goto’s in the most important positions. Happily Canon have now added this facility.

I said at the time that I probably wouldn’t do a movie like this again, having looked at the results on an IMAX screen I now think that this is the future.
At present you are limited in your choice of lenses and camera.  Canon are moving in this direction faster than others. I can see how they could, if they wanted, interface the /i info from say Cookes to the cameras internal software and an external focus motor and so enable this for any lenses with /i.

As we move to bigger and bigger sensors we need to look very closely at this kind of technology.
There are other solutions out there but they are all expensive and somewhat complicated.
This was very very simple, even a cinematographer could operate it!

Autofocus for an entire movie?

Another movie with Dominic Brunt and he agreed to me using the Canon C300-2 with stills lenses for the entire film.

Although I had an AC he spent a lot of his time watching me try to focus pull using a Samsung Tablet!

I wanted to do it myself just to see how difficult it was and what the major pitfalls were.

It was a hell of a learning experience but I’d do it again, maybe with a few small changes like taking my own router just for the camera WiFi, using frequency scanners more often and killing anyone who decided to use any form of wireless transmission without clearing it with the camera crew first!

The main lesson is that the newer a lens is the better it copes, well that’s a shock!

Seriously, in a lot of situations the lens just couldn’t focus fast enough, actors running at camera in very low light was a serious issue.

Anyway, lots more here…Digitally Assisted Focus on a Movie

Lots of lens tests!

I’ve finally got around to finishing all the lens tests, I was kinda delayed by events last year! So here they all are…

Angeniuex Optimo 15 to 40

Arri Alura 15.5 to 45

Arri Master Primes

Arri Ultra Primes

Canon 15.5 to 47

Canon 17 to 120

TLS Cooke S3

Cooke S4 Mini

Cooke S4

Cooke 5i

Fuji Cabrio ZK

Hawk Vlite

Hawk Flare

Hawk 1.3 ana

Illumina Coated

Illumia Uncoated

Leica Summilux

Leica Summicron

Panavision Primo

Schneider Xenar

Zeiss CP2

Zeiss CZ2 15 to 30

If you want them all on the same page the go here

Lots of new camera tests in a month or so.