This has proved to be a much harder evaluation than I expected.
Normally it’s a very straightforward assessment of clear and defined responses. Where do they clip? What colours distort? How does the colour change with exposure? How much noise at various underexposure levels and so on.
This time it’s purely personal, how do they feel? How easy are they to use? How robust are they?
I was going to do this as a 3 stage evaluations, I’ve already posted the technical shoot material and I had intended to post general material that I’d shot but whats the point? There’s a ton of this kind of stuff on the web. So…
My overall impression of the images is that they’re all very good but there are caveats.
I’m going to split the results into categories.
1 Record formats
Canon C200 records in C-RAW Lite which is a variable compression ratio RAW codes of between 3:1 and 5:. It varies the compression ratio based on content and motion.
Canon provide software to translate this RAW material into various formats if you can’t work with the C-RAW. The range of output formats and options is good, ProRes 444, DPX 10 & 16 bit and EXR, colour gamut of Cinema, 2020, P3 & BT.709, Gamma of CLog2, Clog3, BT.709, Wide, DCI.
This is a little odd as the only gamma available in the ACES IDT is CLog3 and surely that’s a case for CLog2 if there ever was one!
EVA records in, at best, H264 150 Mbps, this is not a professional level codec as far as I’m concerned, this is a format that belongs in HDSLR’s and “prosumer” kit. They are promising 400 Mbps and RAW but when?
This is a killer for me. Right now this camera is out of the running because of this.
Ursa MP records in RAW to CDNG in uncompressed 3:1 & 4:1 compression as well as all formats of ProRes from 4444 XQ downwards. CDNG works really well in Resolve but can be a little harder to get the best out of in some other software.
The winner in this category is marginally the Ursa MP but it’s only a hair ahead of the C200, the EVA has fallen and is struggling to get up here.
2 Overall feel and build
There are major differences here and they will probably have a major effect on which camera you prefer.
They split into 2 categories, traditional and well, I’m not sure what to call it 🙂
The Ursa MP fits into the traditional category, kitted out with the shoulder mount and the V/F it feels and operates pretty much as any docco camera that I’ve used in the last 40 years. There is a clear line from 16mm to Betacam to HDCam to Varicam to Amira. If you are used to using a camera like this then the UMP will feel “right” everything is where it should be and it all just falls into place.
It’s built like a brick shithouse and will take a huge amount of abuse and just keep on going.
The biggest downside is weight, (camera departments seems to be filling up with wimps at the moment ) and battery life. Having said that it’s lighter than the other cameras I’ve mentioned in the lineage and it’s less power hungry. It’s only in comparison with the mini generation that it feels heavy and power hungry.
I also found the Cfast slots a bit difficult to get cards into correctly.
The C200 and the EVA are very similar on first impression but as you spend time with them you start to find the differences.
They’re very small differences, the Canon is a little heavier but it feels more substantial, the doors over the card slots are more robust, the V/F is better mounted (more about all the V/F’s later) it’s all very small stuff but I think the Canon feels overall a more expensive camera and it is, about $100 more 🙂
Well there’s a clear winner here, the C200 is way better than either of the others both of which tend to hunt. I tested with new lenses and also with 12 year old lenses.
4 Built in V/F & menus
The UrsaMP is the winner for display here it has a larger and clearer display and a wonderful menu structure that is really clear and simple to use. However, the range of movement is very limited and obstructs the dial you need to use to adjust iris. It doesn’t fold out past 90 degrees from the camera body and this can make it awkward to see the screen and the on-body controls you are trying to alter.
The EVA is in a better position than the Ursa but the mount is not as solid as it needs to be and also has the 90 degree limitation. The supplied V/F hood was collapsing when I got it and I had to remove it. It would have been a good addition if it had worked.
There are 2 menu structures, one accessed by pressing the menu button which takes you to a what I can only describe as a traditional Sony type menu, I hate it. Pressing home turns the entire V/F into an Alexa like menu which is a joy to use even though the touchscreen is a tad reluctant to respond at times.
The C200 is in the same position as the EVA but is much more rigid, it also fold 180 degrees to go flat to the camera body. It’s much easier to adjust things on a tripod with the screen at about 120 degrees.
Menu display buttons and the joystick for adjusting everything is on the V/F and it takes a bit of getting used to. There’s also a function button and joystick at the back of the camera that controls the main settings that you’re likely to need.
The C200 is a clear loser in the menu competition.
The C200 works fine in Resolve and Prelight as does the EVA, the Ursa MP is a little limited in Prelight but that’s an issue between BMD and Filmlight…
I had no problems working with any of the cameras other than needing to go through an extra software stage if I wanted to use the Canon in CLog2!! However, that software stage also gave me the option of going straight to 16 bit EXR and I love that.
I’m sure that there are data wimps out there who will complain about raw from both the C200 and Ursa MP, grow a pair!
In the end it comes down to what kind of camera do you want?
If you want a traditional workhorse that produces great images and will integrate into a conventional workflow easily and that has TC, genlock etc then the clear winner is the Ursa Mini Pro.
If you want a lighter camera for drone work or observational type documentaries and all kinds of lighter more personal work then the C200 edges ahead of the EVA. The clear differential here is recording capability and autofocus.
If you want to shoot observational quick moving type jobs then good AF is essential.
There are issues with the C200, no T/C and no Genlock limits what it can be used for but that’s probably just a market segment thing from Canon. Also why no CLog2 from monitoring out?
There’s also the question of lens mounts, The Ursa MP is user interchangeable and takes just about anything, the obvious main choices being EF & PL, the C200 can be changed from EF to PL at a Canon service centre. The EVA is EF only.
So, you pays your money and you take your choices…