CML was set up for high-end pro’s and those who aspire to be in that class.
I’ve never worried about offending anyone else.
There are lots of places on the net for cinematographers who don’t care about or maybe just don’t recognise a high quality image.
I never wanted CML to be one of those places.
My recent experiences of working with post people whose whole approach to life was “that’ll do” “good enough” “nobody”ll notice” has caused me to stop and take stock.
I feel that CML has been drifting in that direction.
I realise the political and economic pressures that are on us, believe me!
That doesn’t remove from the fact that if we don’t stand up for image
quality nobody will we are “the guardians of the image” and painful though it might be at times we have to fight that fight.
Answer for yourself a few simple questions, in a world where data size
didn’t matter, where RAW recorders were tiny and cheap, where transfer times were zero, where processing power was vast WOULD YOU EVER SHOOT ANYTHING OTHER THAN RAW?
Of course you wouldn’t because deep down inside you know that compression damages your images.
Next question, bearing in mind the conditions listed above, given a choice
of a system that recorded equal amounts of RGB and one that recorded 50%G and 25%R&B and then guessed what was in the holes that that approach left behind would you ever use anything other than the full RGB system?
Of course you wouldn’t because you know that resolution and colour are
compromised by CFA systems.
Now, given that you would go the quality route every time, why are you being such chickenshits and compromising your images all the time?