“Is it really necessary or useful to have anything up to three or four colour and brightness encoding systems per camera, and even if it’s useful, is it useful enough to justify the complexity and opportunity for mistakes thus created?”
(We start with David Mudre demoing a grid for Aputure panel lights, and also discuss listening to other people on-set, LG OLED remote controls, HDR displays, and more...)
Some editing to remove dead air and off-topic rambling.
Mentioned during the chat:
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