16mm Anamorphic Lenses : Additional Information
16mm 360 degree panoramic shot
200fps Camera Required
30FPS Why?
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3-Perf - Depth Of Field Query
3 perf revisited
4 x 4 Matte Boxes
4*3 or 16*9 for TV
45 Degree Shutter & Gate Check
435 Shutter Phase
5212
Latitude
535 gate
Filtration
50mm
Lens On S16mm & 35mm
6000 Series Innovision Lens
800' mags on 16mm
Aaton
16mm Reg to Super
Aaton A-Minima
Aaton A-minima Upgrades
AatonCode
Accepted Methods To Test Lenses
Achieving High Contrast Look
Aerial Bug deflectors
Aerial Filming
Anamorphic Super16mm To A 35mm Print
Anamorphic_Viewfinder_For_16mm
Anton/Bauer Mount For An Arri SR
Arri IIC vs Arri III Viewfinder
Astigmatism and Focusing Cameras
Audio In Choppers
Balance Between 16mm Camera And Lenses
Best Film Camera For Aerials From A Balloon
Best Mitchell Camera For Time Lapse
Bicycle
Wheel Dolly
Boat Sequence
Bolex RX5 Flange Focal Depth
Bolex Shutter
Borescopes/Probes
Bring A Change Bag To The Airport
Calibrating
Lenses For Focus
Calibrating
Monitors In The Field
Camera Checklist For 16 & 35mm
Camera Ground Glass vs Reality
Camera Moves Through Miniatures
Camera Support In Shallow Water
Canon 8 - 64 & Veiling Glare / Flare
Charging 24v Batteries Without Electricity
Choosing Film Stock & Light Metering
Chromatic Aberration/Misaligned CCD's
Clairmont
Anamorphics On 16mm
CP16
Coast
To Coast With An Intervalometer
Cold Conditions
Color Phasing - Fluoro Light & F900
Colour
Infrared
Combining
Film & F900
Contact vs Optical Intermediates
Cooke vs Angenieux Zooms
Cover Super 16mm
Crane Shots
CRI Practically Speaking
Day For Night - Additional Shooting Information
Day For Night & The Digital Intermediate
Deep Focus
Depth
Of Field / Image Size
Deserts
Double
- Perf 16
Dust Off On Planes
Estimating Stock Needs For Feature
Exposure Compensation While Ramping Speed
Exposure
On The DVX-100
Eye
Chamois - Tips & Info
F400-V200-V320_5285 comparison
Favourite Daylight 16mm Film Stock
Feature For DI Shot On Ektachrome
Feature Shoot For Aaton A-Minima
Film/Video Kit For Saltwater Kayaking
Film-F900-Viper to
flim out comparison
Film Resolution 550 MegaPixels On VistaVision
Filter Suggestions For S-16 Docos
Fixing The Meter To The Camera
Flashing
Flicker...again (ramps)
Frezzolini LW-16 (Transport Problem)
Fuji
vs Recans
FX
Filter - Centre Spot Distortion
Ground Glass Modifications For LTRs
Ground Glass Ratio's
Hairy Gates With 7212
Hand Crank
Hand Held - Further Updates/Stories
Incident / Reflective Readings
Keylink
vs Evertz For Aatoncode
Krasnagorsk
Lamp flicker filming at 96 fps
Lens Extender/Doubler & Depth of Field
Lens Filtration When Shooting B&W
Major Problem With Exposed Negative
Making Gel Filters For Krasnokorsk3
Matching 35mm & Cinegyro HD Footage
Mattebox
For Wide Angels
Mattes in Matte Boxes
Meters
/ Metering
Metering TV Screens
Mitchell Base To 150mm Bowl Adapter
Monitor Reflection In Eyeglasses
Monochrome Day For Night Filters
Motion Control For Exposure Control
Mounting
Lipstick Cameras On Automobiles
Moving Time-lapse
Moy-Mitchell Base To 150mm Bowl
Origins
Of "Chinagirl"
Optical Distortion Effects
Pinhole Cinematography - Discussion
Registration Testing For Film Cameras
Resolution Chart For Downloading
RGB Numbers On Short End Recans
S16mm - HD Switch
Sandy environments
Scubacam Housings
Setting your rate
Shoot 3 Perf And Print 4 Perf
Shooting 1:85 and
2:35
Shooting 35mm _ Super 35mm For_1:1.85
Shooting Film Whilst Wearing Glasses
Shutter Angle Combined with FPS
Simulating Old Hand Cranked Newsreel
Single
frame Arri 3
Speed ramps...basics
Speed Ramps & HMI's
Spring Power For Remote Locations
Standards In Film
Steadicam Style
Super
16 & 35mm Lenses
Super 16
Super16 Activity
Super 16 to 35
Super
35 Arri Ground Glass
Super 35 for Commercials
Sync Sound With Arri 435ES
Sync without a Slate
Talking Heads In Close Quarters
Ten Films All Students Should See
Testing Flange Focal Distance During Prep
Texture of the Digital Image
Time-lapse Cityscapes
Time-lapse Flicker
Time
Lapse With Aaton A-Minima
Tropicalisation
Two HD Formats With Two Cameras
Tyler Middle Mount & Optimo Zoom
Ultra
Primes & Arri 3
Ultra High Framerates
Using Super16 For Slow Motion In HD
Viewfinders : Glasses or No Glasses
Vinten Fibertec Legs
Viper Tests
Wearing A Lipstick Sized Camera
When The Meter Says "Go Home?"
Who Makes Custom Ground Glasses
Wide Angle Lens For Helicopter Shoot
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