165-foot Throw w/DVX100
1.85:1
- 2:1 - 2.35:1
1080i-60
or 720p-60 Choice For Slow
Motion Out To 35mm
18% Grey Translation To IRE Value
23.98 - The Archival Recording Frame Rate Of Choice
24 Frame Project Problem In Avid
24P Digital
Emulsion
24P
& Shooting Fire
25FPS & 60Hz
2k 4:4:4 Spec Check
2K transfer on
a Spirit
4K Demo Of Film & Digital Cinema
60i _vs_59.94
70MPH Knuckleball Pitch
A Collection Of Topics From Art Adams
Aliasing On Right-hand Side Of F900
Aliasing With Bright Red Edges
Alexa Blue Screen
Anamorphic Solutions & Uprezzed Outputs
Best Camera Support System For HDV Cameras
C300 Green Screen
C4
Explosions Captured On HD & Film
Calibrating Monitors In The Field
Candle Flares On The RED With Cooke S4s
Check or Carry Video Cam On A Plane
CineAlta vs Varicam For Greenscreen
Cine
Lenses With DV
Cinema look/Digital
projection
Clockit
Jamming 23.98
Color Bit Depth
ColorCode 3D Light Transmission
Combining
Film & F900
Continuing With Preset Timecode
CTDM - Beta PVV1P/Dockable Deck
Definition and Role Of A Stereographer
Diffusion
For HD
Digital Latitude in F950-Viper-D20 & Dalsa
Digibeta v Beta
DigiCon filters from Schneider
Digital Dailies and DI
Digital Post V Cine Art/Craft
Digital Film Grade
Digital Projection Business
Digital stills camera for
time lapse
DoP Relationship To Film & Digital Intermediate
Downconverting Delay *(Miranda DVC- 800)
EDP100 or Decklink Multibridge Express
F5 v F55
F900/3 Compared To 7218 Test
F900 In A F18 Hornet Cockpit
F900 Scene File Help
F900 Gamma Curve variations |
F900 Skin Detail
F900
- Time Lapse With Hi-Def
Film-Digital
Projection
Film-F900-Viper to film out comparisons
Firewire
First looks at 24P HD to 35mm
Foot Candle Requirements For Red
Grey Scale Imaging Performance
Hard vs Soft Matte For Answer Print
HD - It's Too / Soft - Too Sharp
HD / SD Comparison & QuBit Capture
HD-SR For S-16 Bestlights Transfer
High Definition Cinematography
Is 23.976 A Flicker Free Frame Rate
Large
Format
Learning about Film Optics
Lines Per Millimeter Of Resolution Of RedOne Camera
Low Pressure / Temperature Filming
Monitoring and Exposure For RED
PD-150 Audio Problem
Philosophy of Exposure
Progressive Scan & Edge Detail
Progressive_&_Interlaced Scanning
Protection For Cameras From RF
Real Resolution / How Big Is A Pixel?
RED 23.98 @ Night W/Street Lights In Frame
RED 64asa Against 18% Grey Card
RED & Lighting For The Native Sensor Kelvin Rating
Red One Sensor Size and Anamorphic Lenses
Recovering HD
Reference Monitor Issue
SDX 900 : Additional Tips & Tricks
SDX900 - Tips For First Time Users
Shooting HD (Varicam) To Intercut With 16mm
Shooting HiDef Blue/Green Screen
Shooting - Recording 1080 60p Frame Rates
Shutter & The CineAlta For Composite Work
Single-lens - Single-camera 3D Test
Two HD Formats With Two Cameras
Varicam vs Super 16 For Slo-Mo
Virtual
Eye Piece
Video for the
Web
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