On a upcoming job, I will be shooting two figures against the projection
of a LCD projector on a projection screen. I am researching the
output of various projectors to find which have the greatest output
in lumens or footcandles.
Has anyone used a particular projector available that has a strong
output? Has anyone run across a web page that compares the outputs?
I am shooting 200 ASA film with at least a 1 stop compensation for
filter and want to make sure I have enough on the screen.
Thanks,
Sean Kirby
Sean Kirby
Director of Photography
Blue Eye Films
>I am researching the output
of various projectors
Sean,
I shot a feature last year that involved shooting people in front
of LCD projected images against various backgrounds. I wound up
using a projector with a 4000 lumen output. With my 500 ASA films,
it was more than enough light...maybe even too much, as sometimes
the projected image was a little too blown out. I'd say somewhere
between 3000-4000 lumens is a good bet.
Hope this helps
Ken Glassing
LA Based
OP/Dp
Look into a Barco projector.
A G5 will
start you out at about 5000 lumens at 1024x768 or better depending
on what you feed it (up to 1600). If that is not enough you can
go up to a Performer R12 or G10 which can run between 8 and 10,000
lumens of light at 1600x1200, more than enough light and detail.
With projectors I like to look not just at output but clarity. Barco
is one of the leading projector companies in the world in that arena.
Walter Graff
BlueSky Media, Inc.
www.bluesky-web.com
Offices in NYC and Amherst Mass.
We've had good luck shooting 30i HD with a Sony 700 with an iPaq
MP3800 display in the background. Distance from camera to screen
was about 25 feet. Using the 45K filter and pushing the white balance
up a bit gave a nice slight contrast between the 56K projector image
and flesh tones lit with tungsten lighting with 1/2 and 3/4 CTB.
The producer liked the look, so everyone was happy.
The MP3800 gave us a high f4 on pure whites. We were projecting
B/W stills from a laptop. I haven't worked with a video projection
in this scenario. I hope you can make the translation from my HD
numbers to film.
The MP3800 literature claims 1300 lumens. Your mileage may vary.
Usual disclaimers.
Peter Tubbs
HD Videographer
Des Moines
Walter Graff writes:
>With projectors I like to look
not just at output but clarity.
Video Systems magazine recently did an article about prosumer-level
video projectors. They warned that many lower-end units were quoting
brightness figures that represented centre-screen brightness...and
that in order to jack up that figure, uniformity was being sacrificed
(read : significant hot spots). How far into the high end this practice
goes one can't say... but the appropriate application of a spotmeter
or video zebras would be in order if you're planning to shoot off
the screen.
Dan Drasin
Producer/DP
Marin County, CA
>Video Systems magazine recently
did an article about prosumer-level >video projectors. They warned
that many lower-end units were quoting >brightness
Bottom line Dan is that the numbers they get for projectors is about
as reliable as the numbers manufacturers use for cameras. 1000 lumens
sounds great but add a video signal that is using 1/4 of the luminance
and you soon learn that you need about 5000 lumens to make an image
on a projected screen to read properly with film or video cameras.
Walter Graff
BlueSky Media, Inc.
The other issue with most published ANSI Lumens ratings is that
they are usually best case, "fresh out of the box". The
lamps used lose light output with age.
John Pytlak
Eastman Kodak Company
Walter Graff writes :
>you need about 5000 lumens
to make an image on a projected screen >to read properly with
film or video cameras.
With what kind of screen?
Dan Drasin
Producer/DP
Marin County, CA
Thanks for all the input.
After a bunch of research, I set-up an appointment with a local
audio visual company to test with my SLR at the same ASA/shutter
speed. I am going to go through a number of projectors with different
lumen values to find the best one.
If I discover anything interesting, I will be sure to post it.
I love the Barca idea, but the rental cost was frowned upon by the
producer.
Sean Kirby
Director of Photography
Blue Eye Films
Good call by going to a rental house for testing.
It's really
something you have to see to get the correct picture for. I have
an association with Staging Techniques and they are a great company
to call when you nee dot do
such tests.
Walter Graff
BlueSky Media, Inc.
Copyright © CML. All rights reserved.