Discussions between cinematographers and crew about Lenses

35mm Long Primes

50mm Lens On S16mm & 35mm

85 or 85B

Accepted Methods To Test Lenses

Aerial Bug deflectors

Anamorphic Lenses & Super 35

Anamorphic Shooting

Anamorphic Solutions & Uprezzed Outputs

Arri PL Mount Safety

Black Pro-Mists

Cine Lenses on HD Cameras

Canon 8 - 64 & Veiling Glare / Flare

Choosing Your Lenses For A Set

Clairmont Anamorphics On 16mm

Compact Primes CP.2

Depth Of Field / Image Size

Diffusion For HD

DigiPrimes vs Pro35

Dior Nets

Enhancing Filters

Ed Mash Uncoated Taylor Hobsons

Filters, Digital or Not?

Filters for DV

Fixing Nets

Focus Advice

Frazier Lens

Glowing Angelic Look

HD Lens On DigiBeta Cameras

HD Lenses On Film Camera's

Hi-Con Filters

How Do I Test My Lenses

Lens Mount

Lens Tests

Low Angle Prism

Low Light Ultra Cons

Mattebox For Wide Angels

Mattes in Matte Boxes

Non-coated Lenses

Optar Elite-Illumina S16 Lenses

Optical Distortion Effects

Pencil On Ground Glass

Perceived Sharpness

Pinhole Cinematography

Probe-Snorkel For DV Camera

Reducing Filter Size

Removing Stuck Filters

Revolution Lens & Miniatures

Serious Problem or New Filter Effect*?!

Silent Ground Glass

Super 16 & 35mm Lenses

Swing / Shift On 16mm

Telephotos & Filters

Tilt & Shift

Ultra Contrast Filter Grades

Ultra Primes & Arri 3

Variable Primes

Varicon

Warming Filters

Which UV filter?