I question just how many people would actually want such a lens. What you're asking for is a 35mm PL mount zoom that was physically small, lightweight, had a short focus throw and a servo on the size, all just like an ENG zoom. The small & lightweight mean compromises in construction quality and perhaps some optical quality. The short focus & servo are interesting for handheld, but detriments to all other production. And the lens would have to cost just as much as a traditionally constructed 35 zoom if not more. How many of these do you think would ever be sold? I doubt it would be enough to justify such an endeavor.
Mitch Gross>>I question just how many people would actually want such a lens.? What you're asking for is a >>35mm PL mount zoom that was physically small, lightweight, had a short focus throw and a servo >>on the size, all just like an ENG zoom.?
On the one hand, with 2/3" cameras I have often wished that I could put an ENG-style zoom servo on a cine style lens for handheld use. But the last thing I want is the other compromises of the ENG zoom as Mitch has described - I still prefer the focus control and obviously the better optical characteristics of the cine lens. And on a project where quality is the primary consideration, I'm certainly not going to sacrifice that for a more comfortable handheld grip. The solution for me has been to use ENG style lenses when they're the right tool for the job, and when I want the benefits of the cine style lens, I can use a handgrip with a MicroForce and Heden motor on the lens. May not be as 'rough and tumble' as an ENG zoom, but the choice is based on the needs of the project. (For what it's worth, back when I started shooting news we had "pistol grips" on our ENG cameras, which isn't that much different than a MicroForce on a handle... and it took me a while to get used to actually using the on-lens zoom.) Extrapolating to a PL-mount lens for a Red, I suppose if you could attach an ENG-style zoom servo to an Optimo this would be the best of both worlds...But if I had to do this today, I would simply use a MicroForce and Heden motor the same way I do with cine-style lenses on an F900. Not sure how long I would want an Optimo and Red on my shoulder..... And I think this is the biggest reason this would be a problem - you're simply not going to get a decent lens covering 35mm that's as lightweight and compact as a 2/3" ENG lens. George Hupka>>The short focus & servo are interesting for handheld, but detriments to all other production
If the trade offs of this theoretical lens are too much for the project at hand, you can simply swap lenses for other set-ups. If time constraints make that untenable, a zoom servo with a range control is a fair approximation of a microforce and you could still mount a traditional FF rig, wireless if you have an AC handy. I see issues of size and weight as the key problems. One semi-legitimate test case might be the PL mount Optimo Rouge (which has a different throat design and is not compatible with reflex cameras BTW) which is very lightweight and fast, though the 30-80mm zoom range is hardly 15-150. Is there a sweet spot of build quality, wide T-stop and zoom range versus size & weight? In the end, only RED may be willing to develop and market such a lens since it could advance their market penetration. Of course Jim and the gang have plenty of other things on their plate. Blair S. PaulsenPerhaps this is something more suitable for the proposed 2/3" Scarlet. Given a large enough market, I can't see why Canon & Fuji can't make single sensor versions of their current 2/3" HD ENG lenses. Although they'll cost much more than the camera, which will cause upset amongst some people.
Canon basically did this when they made Super 16 versions of their video lenses - I assume they just changed the rear elements. Rodney Charters' Birger mounted stills zooms look about the most compact hand held 35mm zoom RED One I've seen. However, this has limitations like a max stop of f2.8. In the end, it'll depend on the production you're shooting if this type of rig is practical. Brian DrysdaleCopyright © CML. All rights reserved.