First a word of caution:
Both Plus8 and Clairmont create their own F-900 reference files. These files involve shading out errors in the chip block, pixel mapping and other engineering alignments. I would recommend NOT blowing out these files unless you know what you are doing or talked to the rental house before hand. These are service bench alignments that require special tools and the time to do it properly. If you do blow out the reference file then you will be back to factory defaults. Operator and scene files are user related. If you accidently blow out the OHB file then you are in a heap of trouble. The camera will need to go back to the shop for realignment. Most rental houses will give you their reference files on a memory stick just incase an “enthusiastic assistant” blows them out. Using owner operator cameras is a stickier issue. That requires judgment on your part, trust by the owner and how much the owner will let you play with adjustments.
I shot these examples over at Clairmont. They illustrate differing looks and Knee compensation.
The setups are as follows:
Even though the Clairmont base setup looks desaturated and flat it really isn’t. They align their cameras for the most neutrality. Plus8 is the same way. They give you a neutral starting point. I could shoot both cameras this way and be happy. The benefit to this neutral setup is it makes a DIT’s job much easier. If you want to test a 900 this is the way to do it. On the other hand my base settings tend to be bit more punchy and richer. That’s how I like to shoot a 900 as long as everybody signs off on it. I give post a bit more chroma to start with. Push the chroma to far and you introduce noise. You can always take chroma out in post. If you are doing a film out consult with post on how they want it to look. The film out house may dictate certain camera settings. Call them!
These are extreme examples of what Auto Knee or DCC does for you. It does control highlights but at a cost. It is better to close down, use a grad or diffusion to help control the highlights.
To exaggerate these examples I heavily over exposed the scenes. I was probably 2 to 3 stops over on the highlights. DCC tried to bring them back so they weren’t completely gone. I shoot with Auto Knee on all the time. You can dial in less aggressive settings. It’s a choice you need to make as a DIT or DP.
Scenes loses chroma when highlights get pulled back. This is how Knee can hurt you. But whats really amazing is the white strip at the bottom of the frame. Knee pulled it back and now you have detail in it. Not pretty but it’s also not a supernova anymore. Knee is definitely a tradeoff in some situations.
I hope these tests are informative. I sure educated myself doing them. If you have any questions on what I did or why please feel free to contact me anytime.
Joseph T McDonnell III
© copyright CML all rights reserved